SANI FANTASIA: AN EXAMINATION ON YUNNAN YI CHARACTERISTICS IN PIANO MUSIC ADAPTATION
DOI:
https://doi.org/10.33736/ijaca.5683.2023Keywords:
Yunnan, ethnic style, music analysis, Yi people, characteristicAbstract
Incorporating Yunnan Yi music elements into piano compositions is a growing trend in Chinese piano music, and Yi piano adaptations serve as an important representation of Yunnan piano music’s ethnic style and development. However, a lack of systematic investigation and observation means that little research has been done on the composition of Yi piano adaptations. This presents a challenge for aspiring piano students looking to interpret the Yi characteristics of these works. This study aims to provide a systematic discourse on prior research and investigate the relevance and contribution of Yi piano adaptations in reducing the existing gap. Literary research and musical analysis will be employed to analyze the Sani Fantasia adaptation. A literature analysis will classify relevant piano adaptation works and appreciate Yi piano music’s overall growth pattern, while a systematic examination of Sani Fantasia will reveal how Yi’s music elements are expressed and translated in the piano pieces while maintaining the original folk song’s ethnic style. The researchers hope the study will deepen academics’ understanding of the cultural significance and worth of Yi piano adaptations and piano compositions in the Yunnan ethnic styles.
References
2.Chen, X. (2013). The research of Yunnan Dai national minority music culture study. Guizhou Ethnic Studies, 5(34), 61-64. doi:10.17674/1997-0854.2018.2.111-117
3.Hu, Y. (2015). Modern Characteristics of Chinese folk song Chorus -- A Case Study of the mixed chorus “Overture No. 2 ‘running water’” adapted by Liu Xiaogeng. Music Creation, 11, 130-132.
4.Hutcheon, L. (2012). A theory of adaptation. Routledge.
5.Li, H. J. & Si, Y. (2003). Centuries, Bordland, Villages Musical Experiences -- An Interview with the Piano Educator Prof. Ye Junsong. Piano Art, 1, 3-6.
6.Li, L. (2020). Research on Liu Xiaogeng’s Yunnan national style piano works “Sani Fantasia”. M.A.Thesis. Yunnan Arts University, Kunming.
7.Li, S. M. & Feng, M. (1993). Yi people (pp.8). Beijing: Ethnic Publishing House.
8.Liu, G. B. (2021). Research on the application of Sani traditional music elements in Chinese contemporary professional music creation - Take four Sani style works as examples. M.A.Thesis. Yunnan Normal University, Kunming.
9.Lu, Y. (2016). The influence of Yunnan Sani music on Chinese piano creation - A case study of “Sani Fantasia”. Northern Music, 16, 179-180.
10.Mackerras, C. (2016). Ethnic minorities. In C. Tubilewicz (Ed.), Critical issues in contemporary China: Unity, stability and development (pp. 116-132). essay, Routledge, Taylor & Francis Group.
11.Shen, X. (2014). Research on piano works of Yunnan folk music style. M.A.Thesis. Henan Normal University, Zhengzhou.
12.Wu, H. H. (2012). Analysis of flute performance Techniques Adapted from Chinese folk songs -- A Case Study of “Overture No. 2 ‘running water’”. Journal of Hunan University of Science and Engineering, 33(2), 197-199.
13.Zhang, X. Y. (2006). Yunnan original ecological folk music (pp.16). Beijing: Central Conservatory of Music Publishing House.
14.Zhou, K. M. (2007). Yunnan ethnic music theory (pp.18). Yunnan: Yunnan People’s Publishing House.
15.Zhou, Q. Q. (2003). Introduction to Chinese folk music(pp.16). Beijing: People’s Music Publishing House.
16.Zhou, S. B. (2006). Music appreciation(pp.60). Chongqing: Southwest Normal University Publishing House.
17.Zhou, X. Y. (2015). Liu Xiaogeng’s Multi-dimensional research on piano Works of Yi people music style. M.A.Thesis. Yunnan Arts University, Kunming.
Downloads
Published
How to Cite
Issue
Section
License
Copyright Transfer Statement for Journal
1) In signing this statement, the author(s) grant UNIMAS Publisher an exclusive license to publish their original research papers. The author(s) also grant UNIMAS Publisher permission to reproduce, recreate, translate, extract or summarize, and to distribute and display in any forms, formats, and media. The author(s) can reuse their papers in their future printed work without first requiring permission from UNIMAS Publisher, provided that the author(s) acknowledge and reference publication in the Journal.
2) For open access articles, the author(s) agree that their articles published under UNIMAS Publisher are distributed under the terms of the CC-BY-NC-SA (Creative Commons Attribution-Non Commercial-Share Alike 4.0 International License) which permits unrestricted use, distribution, and reproduction in any medium, for non-commercial purposes, provided the original work of the author(s) is properly cited.
3) For subscription articles, the author(s) agree that UNIMAS Publisher holds copyright, or an exclusive license to publish. Readers or users may view, download, print, and copy the content, for academic purposes, subject to the following conditions of use: (a) any reuse of materials is subject to permission from UNIMAS Publisher; (b) archived materials may only be used for academic research; (c) archived materials may not be used for commercial purposes, which include but not limited to monetary compensation by means of sale, resale, license, transfer of copyright, loan, etc.; and (d) archived materials may not be re-published in any part, either in print or online.
4) The author(s) is/are responsible to ensure his or her or their submitted work is original and does not infringe any existing copyright, trademark, patent, statutory right, or propriety right of others. Corresponding author(s) has (have) obtained permission from all co-authors prior to submission to the journal. Upon submission of the manuscript, the author(s) agree that no similar work has been or will be submitted or published elsewhere in any language. If submitted manuscript includes materials from others, the authors have obtained the permission from the copyright owners.
5) In signing this statement, the author(s) declare(s) that the researches in which they have conducted are in compliance with the current laws of the respective country and UNIMAS Journal Publication Ethics Policy. Any experimentation or research involving human or the use of animal samples must obtain approval from Human or Animal Ethics Committee in their respective institutions. The author(s) agree and understand that UNIMAS Publisher is not responsible for any compensational claims or failure caused by the author(s) in fulfilling the above-mentioned requirements. The author(s) must accept the responsibility for releasing their materials upon request by Chief Editor or UNIMAS Publisher.
6) The author(s) should have participated sufficiently in the work and ensured the appropriateness of the content of the article. The author(s) should also agree that he or she has no commercial attachments (e.g. patent or license arrangement, equity interest, consultancies, etc.) that might pose any conflict of interest with the submitted manuscript. The author(s) also agree to make any relevant materials and data available upon request by the editor or UNIMAS Publisher.