SMALL SCALE STUDIO SETUP (4S) CREATION : CURRENT TRENDS IN ANIMATION INDUSTRY ENTREPENEURSHIP
DOI:
https://doi.org/10.33736/ijaca.2269.2020Abstract
Self-employment and self-entrepreneurship activities among graduates in local and global economic trends lead to the birth of small scale animation studios. Government funding and business exposure in higher learning institutions are driving the young workforce to establish their own company rather than working for others. The current generations of graduates are very much in favor of entrepreneurship and begin to break away from the notion of stability in conventional professions due to the lack of flexible work-life balance and office benefits. Company ownership and financial freedom self-management remain the most recent phenomena in today's graduates. The idea of maintaining self-expression and control of the personal intellectual property is driving the young animator to venture into a small scale studio setup (4S).
References
Bendazzi, G. (2015). Animation: A World History: Volume Iii: Contemporary Times (pp. 30). Focal Press.
https://doi.org/10.4324/9781315720746
Collier, S. (2019). Preparing creative industry graduates for a career in high pressure industry: An animation practitioner's perspective. 13th International Technology, Education and Development Conference (pp. 3492-3498), Valencia:IATED.
https://doi.org/10.21125/inted.2019.0905
Digital Economy Corporation, M. (2018). Enter Malaysia. Cost of Doing Business. Retrieved from https://mdec.my/wp-content/uploads/ENTER-MALAYSIA-Final-2.pdf.
Digital Economy Corporation, M. (2018). South East Asia Animation Report 2018. Kuala Lumpur. Retrieved from https://mdec.my/wp-content/uploads/SEA-layout-20180815.pdf.
Ellis, E.G. (2020, May 10). Quarantine is a weirdly good time for animation. Retrieved from https://www.wired.com/story/animation-tv-covid-19-coronavirus.
Ettinger, K., & Cohen, A. (2019) Patterns of multitasking behaviours of adolescents in digital environments. Education and Information Technologies, 25(1), 623-645.
https://doi.org/10.1007/s10639-019-09982-4
Giardina, C. (2016). Oscar's Animation Throwdown: Big Studios Battle Small Indies for the Gold. Retrieved April 25, 2020, from https://www.hollywoodreporter.com/behind-screen/oscars-animation-throwdownbig-studios-battle-small-indies-gold-949093.
Grater, T. (2020). Coping With COVID-19 Crisis: China's Emmy-Winning Base FX On Keeping A Global VFX & Animation Outfit Running In Turbulent Times. Retrieved from https://deadline.com/2020/03/coping-with-covid-19-crisis-chinabase-fx-keeping-vfx-animation-outfit-running 1202893043/.
Gray, R. (2017). How Small Studios can be your BIG break. Retrieved from
https://www.skwigly.co.uk/how_small-animation-studios-can-be-your-big-breakpart-1/.
Kröll, C., & Nüesch, S. (2019). The effects of flexible work practices on employee attitudes: evidence from a large-scale panel study in Germany. The International Journal of Human Resource Management, 30(9), 1505-1525.
https://doi.org/10.1080/09585192.2017.1289548
Kuslich, S. (2014). How to Run an Effective Production Company. Retrieved 2020, from https://ghostproductions.com/blog/animation/how-to-run-an-e/.
Liang, H., Sit, J., Chang, J. and Zhang, J.J., (2016). Computer animation data management: Review of evolution phases and emerging issues. International Journal of Information Management, 36(6), pp.1089--1100.
https://doi.org/10.1016/j.ijinfomgt.2016.07.008
Manrique, M. (2015). Blender for animation and film-based production (pp. 49). London: CRC Press.
https://doi.org/10.1201/b17533
Newswire, P. (2020). Global Animation, VFX & Video Games Industry: Strategies, Trends & Opportunities (2020-2025). Retrieved from https://www.prnewswire.com/news-releases/global-animation-vfx--video-gamesindustry-forecast-2020-2025---the-market-was-valued-at-264-billion-in-2019-300989543.html.
Yoon, H. (2019). Do higher skills result in better jobs? The case of the Korean animation industry. Geoforum, 99, 267-277.
Downloads
Published
How to Cite
Issue
Section
License
Copyright Transfer Statement for Journal
1) In signing this statement, the author(s) grant UNIMAS Publisher an exclusive license to publish their original research papers. The author(s) also grant UNIMAS Publisher permission to reproduce, recreate, translate, extract or summarize, and to distribute and display in any forms, formats, and media. The author(s) can reuse their papers in their future printed work without first requiring permission from UNIMAS Publisher, provided that the author(s) acknowledge and reference publication in the Journal.
2) For open access articles, the author(s) agree that their articles published under UNIMAS Publisher are distributed under the terms of the CC-BY-NC-SA (Creative Commons Attribution-Non Commercial-Share Alike 4.0 International License) which permits unrestricted use, distribution, and reproduction in any medium, for non-commercial purposes, provided the original work of the author(s) is properly cited.
3) For subscription articles, the author(s) agree that UNIMAS Publisher holds copyright, or an exclusive license to publish. Readers or users may view, download, print, and copy the content, for academic purposes, subject to the following conditions of use: (a) any reuse of materials is subject to permission from UNIMAS Publisher; (b) archived materials may only be used for academic research; (c) archived materials may not be used for commercial purposes, which include but not limited to monetary compensation by means of sale, resale, license, transfer of copyright, loan, etc.; and (d) archived materials may not be re-published in any part, either in print or online.
4) The author(s) is/are responsible to ensure his or her or their submitted work is original and does not infringe any existing copyright, trademark, patent, statutory right, or propriety right of others. Corresponding author(s) has (have) obtained permission from all co-authors prior to submission to the journal. Upon submission of the manuscript, the author(s) agree that no similar work has been or will be submitted or published elsewhere in any language. If submitted manuscript includes materials from others, the authors have obtained the permission from the copyright owners.
5) In signing this statement, the author(s) declare(s) that the researches in which they have conducted are in compliance with the current laws of the respective country and UNIMAS Journal Publication Ethics Policy. Any experimentation or research involving human or the use of animal samples must obtain approval from Human or Animal Ethics Committee in their respective institutions. The author(s) agree and understand that UNIMAS Publisher is not responsible for any compensational claims or failure caused by the author(s) in fulfilling the above-mentioned requirements. The author(s) must accept the responsibility for releasing their materials upon request by Chief Editor or UNIMAS Publisher.
6) The author(s) should have participated sufficiently in the work and ensured the appropriateness of the content of the article. The author(s) should also agree that he or she has no commercial attachments (e.g. patent or license arrangement, equity interest, consultancies, etc.) that might pose any conflict of interest with the submitted manuscript. The author(s) also agree to make any relevant materials and data available upon request by the editor or UNIMAS Publisher.