THE INTERSTITIAL MODE OF SABAH TELEMOVIE PRODUCTION
DOI:
https://doi.org/10.33736/ijaca.1570.2019Abstract
Sabah telemovie production has started in the year 2002. However recent challenges in term of
finance. This situation has led Sabahan filmmaker to apply an alternative method of producing
telemovie. Therefore, by referring to Hamid Naficy’s accented cinema theory. This paper
examines the similarity between the Sabah telemovie production mode and the interstitial mode
of production. Therefore, this paper also suggests several methods to improve the current Sabah
telemovie production.
References
Aziz, J., Hashim, H., & Ibrahim, F. (2014). Malaysian Film Industry Transformation: Challenges and Potential. Malaysian Journal of Communication, 35-49.
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Gray, G. (2010). Shame and the Fourth Wall: Some thoughts on an anthropology of the cinema. In Y. S. Guan, Media, Culture and Society in Malaysia (pp. 117-136). Oxon: Routledge.
Naficy, H. (2001). An accented cinema: exilic and diasporic filmmaking: Princeton University Press.
https://doi.org/10.1515/9780691186214
Suner, A. (2006). Outside in: accented cinema at large. Inter-Asia Cultural Studies.
https://doi.org/10.1080/14649370600849223
Zalipour, A. (2015). Interstitial and collective filmmaking in New Zealand: the case of Asian New Zealand film. Transnational Cinemas.
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