International Journal of Applied and Creative Arts https://publisher.unimas.my/ojs/index.php/IJACA <div class=" " style="text-align: justify;">International Journal of Applied and Creative Arts (IJACA) publishes creative arts articles in all fields of applied and creative arts. These include culture and heritage, design technology, animation, fashion and textiles, performing arts, film, music, fine arts, new media, photography, arts and event management.&nbsp;The journal welcomes the submission of manuscripts that meet the general criteria of significance and relevancy in applied and creative arts sector. Acceptance for publication is based on contributions to knowledge, original data, ideas or interpretations and on their conciseness, accuracy and clarity.<br><img src="/ojs/public/site/images/ojsadm/mycite1.png" width="139" height="65"><img src="/ojs/public/site/images/ojsadm/IJACA.jpg"></div> Faculty of Applied and Creative Arts, UNIMAS en-US International Journal of Applied and Creative Arts 2636-9427 <p align="justify"><strong>Copyright Transfer Statement for Journal</strong></p> <p>1) In signing this statement, the author(s) grant UNIMAS Publisher an exclusive license to publish their original research papers. The author(s) also grant UNIMAS Publisher permission to reproduce, recreate, translate, extract or summarize, and to distribute and display in any forms, formats, and media. The author(s) can reuse their papers in their future printed work without first requiring permission from UNIMAS Publisher, provided that the author(s) acknowledge and reference publication in the Journal. <br><br>2) For open access articles, the author(s) agree that their articles published under UNIMAS Publisher are distributed under the terms of the CC-BY-NC-SA (Creative Commons Attribution-Non Commercial-Share Alike 4.0 International License) which permits unrestricted use, distribution, and reproduction in any medium, for non-commercial purposes, provided the original work of the author(s) is properly cited. <br><br>3) For subscription articles, the author(s) agree that UNIMAS Publisher holds copyright, or an exclusive license to publish. Readers or users may view, download, print, and copy the content, for academic purposes, subject to the following conditions of use: (a) any reuse of materials is subject to permission from UNIMAS Publisher; (b) archived materials may only be used for academic research; (c) archived materials may not be used for commercial purposes, which include but not limited to monetary compensation by means of sale, resale, license, transfer of copyright, loan, etc.; and (d) archived materials may not be re-published in any part, either in print or online. <br><br>4) The author(s) is/are responsible to ensure his or her or their submitted work is original and does not infringe any existing copyright, trademark, patent, statutory right, or propriety right of others. Corresponding author(s) has (have) obtained permission from all co-authors prior to submission to the journal. Upon submission of the manuscript, the author(s) agree that no similar work has been or will be submitted or published elsewhere in any language. If submitted manuscript includes materials from others, the authors have obtained the permission from the copyright owners. <br><br>5) In signing this statement, the author(s) declare(s) that the researches in which they have conducted are in compliance with the current laws of the respective country and UNIMAS Journal Publication Ethics Policy. Any experimentation or research involving human or the use of animal samples must obtain approval from Human or Animal Ethics Committee in their respective institutions. The author(s) agree and understand that UNIMAS Publisher is not responsible for any compensational claims or failure caused by the author(s) in fulfilling the above-mentioned requirements. The author(s) must accept the responsibility for releasing their materials upon request by Chief Editor or UNIMAS Publisher. <br><br>6) The author(s) should have participated sufficiently in the work and ensured the appropriateness of the content of the article. The author(s) should also agree that he or she has no commercial attachments (e.g. patent or license arrangement, equity interest, consultancies, etc<em>.</em>) that might pose any conflict of interest with the submitted manuscript. The author(s) also agree to make any relevant materials and data available upon request by the editor or UNIMAS Publisher.</p> THE MUSIC EVENTS IN KUCHING, SARAWAK POST-PANDEMIC TIMES: CHANGES AND PERCEPTION https://publisher.unimas.my/ojs/index.php/IJACA/article/view/4825 <p>This article discussed the changes experience by event organizers, how the public are adapting to the changes and their perception of music events in Kuching, Sarawak post-pandemic times. This study used mixed method, both quantitative and qualitative method approach. A total of 101 respondents participated in this study through survey. According to the findings, with a total mean of 4.41, hybrid music events should be conducted in post-pandemic to accommodate both onsite and offline audiences. From the event organizers perspective, 2 informants involved stated that there will be an improvement in music events such as increasing number of audiences, bigger venue, and better service &amp; activities.</p> Nicole Ivanna Paul Mazdan Ali Amaran Copyright (c) 2023 UNIMAS Publisher http://creativecommons.org/licenses/by-nc-sa/4.0 2023-06-30 2023-06-30 6 1 01 11 10.33736/ijaca.4825.2023 WHAT SO DISTINCTIVE OF THE IBANS CULTURAL ARTEFACTS IN THEIR LONGHOUSES IN SARAWAK? https://publisher.unimas.my/ojs/index.php/IJACA/article/view/5561 <p>Prior to the establishment of a museum in Sarawak by the Brooke family in 1891, the Iban society preserved cultural objects in their longhouses using their own distinct methods. Traditional care is the foundation based on their beliefs and conceptions of the world's existence. This ethnography study examines the traditional conservation of Iban cultural relics in longhouses. Qualitative research technique, including fieldwork, documentation, and interviews was employed. Data collection was done based on the collection of pieces of informant memory. The findings indicate that the traditional management and maintenance of the Iban cultural artifacts is enchanting because it mixes parts of their beliefs, the mysticism and believing those cultural items would come to life and active so that they can be used in rituals and ceremonies. This research provides a new perspective on the cultural insight of an indigenous ethnic group the Ibans’ residing in the Borneo archipelago in with the anticipation that their identity known to the world and will be inherited for the new generations.</p> GREGORY KIYAI Raemah Abdullah Hashim Khairun Nisa Mustaffa Halabi Noor Hafiza Ismail Copyright (c) 2023 UNIMAS Publisher http://creativecommons.org/licenses/by-nc-sa/4.0 2023-06-30 2023-06-30 6 1 12 32 10.33736/ijaca.5561.2023 ENHANCEMENT OF SLOW SHUTTER TECHNIQUE THROUGH A STRUCTURED EXPERIMENTAL CREATION OF LIGHT TOOLS https://publisher.unimas.my/ojs/index.php/IJACA/article/view/5571 <p>This experimental research aims to create, modify, and combine existing light technology to produce artworks and images. Choosing appropriate light tools is crucial as each has its own strengths and weaknesses, which must be considered in line with the assignments or concepts. The research employs interviews, questionnaires, and experimentation to develop advanced photography techniques capable of revealing unknown scientific elements. The findings reveal six (6) interrelated categories that distinguish the light tools: brightness, colour, contrast, space, length, and power. The documented experiment on artificial light in producing light tools is key to these findings. This research contributes to the advancement of photography techniques and inspires readers to witness the resulting images based on creative ideas.</p> Mohd Firdaus Mohd Herrow Shahirman Sahalan Mohd Hatta Md Hani Copyright (c) 2023 UNIMAS Publisher http://creativecommons.org/licenses/by-nc-sa/4.0 2023-06-30 2023-06-30 6 1 33 48 10.33736/ijaca.5571.2023 THE SIGNIFICANCE OF THE ART MUSEUM SPACE AS EMOTIONAL HEALING https://publisher.unimas.my/ojs/index.php/IJACA/article/view/5644 <p>This article explores the emotional healing function of art museum space and its potential impact on people's daily lives. Drawing on the theories of emotional therapy and art therapy, it is believed that art museum spaces can provide visitors with a unique transformation experience, helping them regulate emotions such as anxiety, boredom, and fatigue. This article explores how the layout of artist works and exhibition halls creates a visual and emotional experience through specific case studies, literature research, and questionnaire surveys. This experience is fundamentally different from the repetitive and rigorous spatial sense in daily life. Through the creativity of artists, different artistic spaces are created, bringing a new experience to the audience, allowing visitors to feel the charm of artistic creativity and obtain beautiful emotional value. Through case studies, it is proposed that good creative spaces can provide emotional therapy for visitors. Ultimately, this article demonstrates the potential of art museum spaces in changing emotional states and improving overall happiness. This provides new discussions on the application and significance of the creative industry in community residents' lives in the future, and proposes research directions for the development of the creative industry in the future.</p> Qiong juan Yi Wan Jamarul Imran Bin Wan Abdullah Thani Copyright (c) 2023 UNIMAS Publisher http://creativecommons.org/licenses/by-nc-sa/4.0 2023-06-30 2023-06-30 6 1 49 64 10.33736/ijaca.5644.2023 EMBRACING TRADITIONS AND INNOVATIONS OF SUIXI LION HEADS IN LION DANCE PERFORMANCES IN CHINA https://publisher.unimas.my/ojs/index.php/IJACA/article/view/5663 <p>This study investigates the incorporation of traditions and innovations in the use of Suixi Lion Heads in lion dance performances in China. Suixi Lion Heads are a form of folk art that has been passed down through generations, and their design incorporates new elements while still maintaining their traditional essence. Through an analysis of the visual symbols and production process of Suixi Lion Heads, this study explores how the balance between tradition and innovation has contributed to their popularity and success in lion dance performances. The simplified production process of Suixi Lion Heads allows for faster and more cost-effective production, resulting in streamlined designs that are better suited to contemporary aesthetics and market demands. Furthermore, this study highlights the importance of promoting and developing Suixi Lion Head culture through lion dance performances, which can facilitate the preservation and evolution of the tradition. By embracing both traditions and innovations, Suixi Lion Heads continue to play a vital role in the cultural heritage of China, providing a link between the past and the present in lion dance performances.</p> Sudan Zhan Wan Jamarul Imran Wan Abdullah Thani Copyright (c) 2023 UNIMAS Publisher http://creativecommons.org/licenses/by-nc-sa/4.0 2023-06-30 2023-06-30 6 1 65 90 10.33736/ijaca.5663.2023 AN ELECTRONIC ART APPROACH IN THE ADAPTATION OF WHITE SPACE ART COMPOSITION ON CHINESE INK PAINTING https://publisher.unimas.my/ojs/index.php/IJACA/article/view/5664 <p>White Space Art, otherwise known as <em>Xu Shi</em>, is not only used to create a powerful visual drawing space, but also a key composition principle and aesthetic feature in Chinese Ink Painting. This study focuses on the application of White Space Art in the implementation of the artwork. In other words, which initiatively to explore the method of combining the approach of technology with Chinese Ink Painting Art. Through the practical experience which executed by the author, intently to verify the feasibility if White Space Art to express the space philosophy of electronic art and discusses the possibility that the practical process can be used for further reference. The implementation of such a merger to achieve an artwork in the form of contemporary art which gives a new perception and meaning to the Chinese Ink Painting Art in a new context rather than in a conventional background.</p> Liew Jia Xi Wan Jamarul Imran Bin Wan Abdullah Thani Copyright (c) 2023 UNIMAS Publisher http://creativecommons.org/licenses/by-nc-sa/4.0 2023-06-30 2023-06-30 6 1 91 103 10.33736/ijaca.5664.2023 SANI FANTASIA: AN EXAMINATION ON YUNNAN YI CHARACTERISTICS IN PIANO MUSIC ADAPTATION https://publisher.unimas.my/ojs/index.php/IJACA/article/view/5683 <p>Incorporating Yunnan Yi music elements into piano compositions is a growing trend in Chinese piano music, and Yi piano adaptations serve as an important representation of Yunnan piano music’s ethnic style and development. However, a lack of systematic investigation and observation means that little research has been done on the composition of Yi piano adaptations. This presents a challenge for aspiring piano students looking to interpret the Yi characteristics of these works. This study aims to provide a systematic discourse on prior research and investigate the relevance and contribution of Yi piano adaptations in reducing the existing gap. Literary research and musical analysis will be employed to analyze the <em>Sani Fantasia</em> adaptation. A literature analysis will classify relevant piano adaptation works and appreciate Yi piano music’s overall growth pattern, while a systematic examination of <em>Sani Fantasia</em> will reveal how Yi’s music elements are expressed and translated in the piano pieces while maintaining the original folk song’s ethnic style. The researchers hope the study will deepen academics’ understanding of the cultural significance and worth of Yi piano adaptations and piano compositions in the Yunnan ethnic styles.</p> Liang Yikeng Mohd Fairuz bin Zamani Copyright (c) 2023 UNIMAS Publisher http://creativecommons.org/licenses/by-nc-sa/4.0 2023-06-30 2023-06-30 6 1 104 115 10.33736/ijaca.5683.2023